See more ideas about herzog, textile art, fiber art. Elana Herzog. [17] It featured floor-to-ceiling forms that Review Magazine described as "eloquent lines created through violent physical action," resembling frayed seams or fibers forcing their way through walls. Check out other popular news on News Break. Check below for more deets about Anna-Elena Herzog. [19], Princenthal, Nancy. She studied art at Bennington College (BA, 1977) and SUNY-Alfred (MFA, 1979). "Interview With Elana Herzog,", Beachler, Justin. Recommended. [59][60][51] She has been a visiting artist, lecturer or instructor at Parsons School of Design, Cooper Union, Rhode Island School of Design, Pratt Institute, New York University, The New School, and School of the Art Institute of Chicago, among others. She is an actress, known for Die Pfefferkörner (1999), Alphateam - Die Lebensretter im OP (1997) and Ein Mann steht seine Frau (1997). Herzog delights in the de-materializing of form, only to embed those broken-down forms into larger contexts like museums and institutions to see what meaningfully joyous havoc they will wreak. Learn more about Elana Herzog . The Aldrich Contemporary Art Museum Elana Herzog Exhibition Installation February 26 - March 11, 2007. As in 2020, Anna-Elena Herzog‘s age is * years. Untitled for … At the end of the day, my work is process-based, intuitive. Elana Herzog, partial view of Return of the Repressed, 2012, carpets, wood and composite materials, fabric, metal staples, dimensions variable. BIO. Pristoop, Rebecca. Auction Records. Less is decidedly more for Herzog, who often prefers to let what is Not there speak for itself. At the Humanities Gallery at Long Island University, in a work titled "The Return of the Repressed," she layered the floors with lush Persian carpets that had been cut out and reassembled (this for a show inspired by Sigmund Freud's office in Vienna, where Persian carpets were much in use during analysis) only to reconfigure them yet again at other venues. At the Herbert F. Johnson Museum, Cornell University, Ithaca, Herzog was invited by the curators to essentially de-stabilize their permanent collection and she responded with an exhibition called "Civilization and its DisContents" in which (among other things) the museum's own collection of carpets and fine art commingled with hers. [30] Writers such as Barbara Pollock termed later works "monumental friezes" that recalled Stella's stripe paintings or the monolithic rectangles of Barnett Newman. "The Aftermath of Warp and Weft,", Princenthal, Nancy. Elana Herzog (20/21st century) Elana Herzog is active/lives in New York. 22h x 30w in (55.88h x 76. [19] In the 1980s, she worked a variety of blue-collar jobs, including electrician's apprentice, mechanic and construction worker, while producing mixed-media sculpture out of a studio in Williamsburg, Brooklyn. "If my work projects a sense of strength, it's through fragility and tangential qualities -- not the myth of greatness," says the artist. Her GAGA exhibition featured six sections of a shredded red bedspread embedded in panels that she integrated with gallery walls to suggest pieces created in situ, rather than modular units. [57][5][58][51] Her artist books belong to the Koopman Collection in the National Library of the Netherlands, the Rare Book Collection of the French National Library, and Rauner Special Collections at Dartmouth College. Elana Herzog is an American installation artist and sculptor based in New York City. This project was funded in part by a Foundation for Contemporary Art Emergency Grant. Images courtesy of the artist —Brenda Coultas is the author of the poetry collection The Tatters, forthcoming from Wesleyan University Press in January. [17] W(e)ave (2007, Aldrich Museum, with sound artist Michael Schumacher) and Plaid (2007, Smack Mellon) signaled Herzog's growing architectural and spatial engagement. [20][43][12], Herzog's textile works evolved in a more minimal, linear direction beginning with a new, site-specific installation in her Daum Museum survey, Untitled 2009 (Seams). The former featured the installation, Romancing the Rock, which New York Times critic Holland Cotter described as lines of ripped fabric that "appear to be burning, like corrosive acid in the cube they're stapled to. [11][12][13] Artcritical editor David Brody writes of that process: "Herzog's ambitiously scaled compositions are built up from small, provisional decisions—unruly brushstrokes, in effect—that coalesce into powerful storms of texture. Herzog was the 2012 Fellow of the Saint-Gaudens Memorial in Cornish, New Hampshire along with a solo exhibit. And recently, at the Tegnerforbundet Gallery, in Oslo, Norway, the artist reconfigured a single child's woolen winter jacket into a reductive, Minimalist composition of vertical lines surrounding the gallery desk. Herzog is a recipient of a 2017 Guggenheim Foundation fellowship. Untilled, 2012, Handmade cotton paper, textile, 17 x 11 inches. [28][9][29], Herzog's art has been described as a mix of visceral color and texture, formal rigor and whimsy[30][1] that balances between decorative beauty and violence and "ruin and monument. Elana Herzog. [11][33], In her early career, Herzog aggressively reconfigured found linens, shower curtains, rugs, drapery and lace, smocking, puckering, cutting and stretching them into minimal sculptures. Elana Herzog book. [30][17] Art in America's James Hyde described the zigzagging remnants as "intimate and architectural, delicate and rough," unconventional drawings with "juicy" surfaces of liquid-like fabric, glistening embroidery-like staples and dislodged chunks of sheetrock. View the profiles of professionals named "Elana Herzog" on LinkedIn. Elana Herzog is a mixed-media installation artist who has exhibited widely nationally and internationally. Between 2012 and 2016, Herzog lectured at Yale University. Elana Herzog: For many years I have used material culture to consider aspects of ephemerality, entropy, pleasure and pain, attraction and revulsion. View the profiles of people named Elena Herzog. "[13] She works intuitively, through a process-based method of accumulation and subtraction that involves improvisation, context-sensitive experimentation, and labor-intensive, heavy-duty assemblage. Whitepages people search is the most trusted directory. Elana has 2 jobs listed on their profile. Birth Place. Herzog has been recognized with artist residencies from the MacDowell Colony, Sondre Green Farm (Norway), Albers Foundation, Gertrude Contemporary Art Spaces (Australia), Marie Walsh Sharpe Space Program, and Farpath Foundation (France), among others. "Elana Herzog, Shredding Domesticity,", Princenthal, Nancy. Elana Herzog (Untitled) P133, 2015 Pigmented paper pulp, lino cut printed paper, textile. Elana Herzog consistently makes and unmakes objects, ripping and cutting textiles and carpets and situating them in and against specific gallery and museum architecture. Elana Herzog is on Facebook. Born on , , Anna-Elena hails from , , . [1][2] Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. Herzog, Elana (art) and Jerome Rothenberg (poetry). Created with Sketch. Read the artist bio and gain a deeper understanding with MutualArt's artist profile. [2] In Plaid, Herzog shifted from pictorial formats to bolder sculptural configurations of built structures and surfaces seemingly invaded by patches or shifting three-dimensional grids of stapled brown wool. My current focus is on the global migrations of culture and technology as seen through the lens of textile. [20] She withheld from exhibiting until 1990, when she participated in a group show at Minor Injury Gallery (Brooklyn) and received a review mention from Roberta Smith in The New York Times. [3][4] She has also received awards from the Foundation for Contemporary Arts, The Saint Gaudens Memorial, Louis Comfort Tiffany Foundation, Joan Mitchell Foundation, and New York Foundation for the Arts, among others. [3][4][5] She has exhibited nationally and internationally, including at the Brooklyn Museum, Museum of Arts and Design (MAD), Tang Museum, Weatherspoon Art Museum, Sharjah Art Museum, and Reykjavik Art Museum. It evolves through the process of being made and my subsequent response to that. "Elana Herzog and Michael Schumacher at the Aldrich Museum,". [12][31][41], Herzog first exhibited this work in shows at the Kohler Arts Center and GAGA ("Projected") in 2000. "Dislocations: A Conversation with Elana Herzog,", Schmerler, Sarah. Elana Herzog's first artwork to be offered at auction was Untitled at Brooklyn Academy of Music in 2008Elana Herzog has been featured in articles for the Art in America, the ArtDaily and the ARTFORUM. "Guggenheim Foundation Announces 2017 Fellows, Including Byron Kim, Kay Rosen, and Leigh Ledare,", "Labor Day Shout Outs: Selected Shows Opening in New York,", "Elana Herzog and Luanne Martineau, Western Exhibitions,", "Elana Herzog's 'Interventions': A Micro Interview", "A Sprinkling of Exhibitions Near Factories and the Water,", "Grace and Intrigue Highlight Sculpture,", "Claiming Mass-Produced Items for the Realm of Expression,", "Elana Herzog, Re constructions: Sculpture and Works on Paper,", "Unsettling Social Commentary With Materials as Victims,", "New York: Smack Mellon Studios, Custom Fit,", "Artistic Detritus, the Circulation of Power, and Intervening in the Historic Record at the 8th Floor,", "Wreckage upon Wreckage: Elana Herzog's 'Angel of History,'", "Shredded Sheets and a Mountain of Words,", "Elana Herzog: Terra Infirma/The Boiler (Pierogi), New York,", "Refuse Transformed: Reuse as Social Repair,", "Eighty-Five Artists Awarded MacDowell Colony Fellowships,", Elana Herzog Artist Talk at Vermont Studio Center, https://en.wikipedia.org/w/index.php?title=Elana_Herzog&oldid=964555902, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 June 2020, at 06:27. "Speed, labor, progress, obsolescence, loss, kitsch, camp, nostalgia, sentimentality, taste…there are too many cliches out there for what I and other women artists do. Recommended Cities. For the last two decades, Herzog has been the subject of museum surveys and solo exhibitions in over 20 cities in the U.S. (including her native New York City) and numerous cities in Europe. And I just try to get out of the way.". "Textilpraedir ur ysum attum,", Frid, Dianna. Elana Herzog lives and works in New York City.Dewarped and Unweft, a survey of Herzog’s work since 1993, was at the Daum Museum of Contemporary Art in Missouri in 2009.She has had solo and two- person exhibitions in numerous venues, including the Aldrich Museum of Contemporary Art in Connecticut; Smack Mellon in New York; the Herbert F. Johnson Museum at Cornell University, New … [55], Herzog first foregrounded her works on paper in the show "Plumb Pulp" (2014) at LMAK Projects, which featured books and pieces framed and pressed between glass and backing board that conjoin textile fragments and wet paper pulp into a single substance. [38][39] She then deconstructed them through a process of shredding, pulling and cutting; the remaining fragments maintained the rectangular formats of her sources in ghostly, afterimage-like forms that dissolve distinctions between figure and ground. She has a BA from Bennington College and an MFA from Alfred University. Distinctions between support (walls, metal beams, wood panels) and gesture (chalk lines, pieces of fabric, staples) become unnecessary in these immersive environments in which nothing is what it once was, and yet everything is in full view. Elana Herzog is known for installation art, textilels, sculpture, abstract domestic imagery. At the outset of the U.S. War in Iraq, she turned to more specific cultural referents—Persian-style carpets deconstructed to the point of dissolution—in order to convey powerlessness, fragility, the fluidity of cultural meaning, and global power dynamics for Civilization and Its DisContents (Smack Mellon, 2003). [17] Since then, she has had solo and two-person exhibitions at LMAK Projects (2011, 2014), The Boiler (Pierogi Gallery, 2014), Studio 10 (2015, 2016), the Sharjah Art Museum (2016), and Western Exhibitions (2018, Chicago), among others. The work of New York based installation artist and sculptor, Elana Herzog who also does handmade paper and books. [53][54] She created a second book edition in 2012, Texas, with poetry by Monica de la Torre. "[14] Thematically, Herzog's conversion of household castoffs into minimalist art raises questions about value, ownership and high- and low-culture conventions of taste and beauty;[15][16][17] Review Magazine describes her work as a "conceptual, emotional, and gutsy" alternative to most fiber art, which leaves viewers to conjecture on associations between women, fiber and gender stereotypes, the destructive capacities of the creative process, and the layering of history. For the last two decades, she has reveled in creating immersive situations that obliterate distinctions between old and new, common and precious, in process and completed. "Elana Herzog at Black + Herron,", Castro, Jan Garden. [40][11][2] Critics suggest that Herzog's disintegrating imagery and hands-on, violent process of de-materialization both acknowledge and undermine relationships to late-modernist and domestic-craft traditions, while suggesting geological-archaeological and historical themes of impermanence, decay, erosion, memory, absence and presence. The most recent article is Joan Mitchell Foundation Names 2020 Artists-in-Residence written for the ARTFORUM in January 2020. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. Toronto, Ontario, Canada. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. McFadden, David Revere and Jennifer Scanlan, Jennifer Steifle Edwards. From CUE Art Foundation Benefit Auction, Elana Herzog, Untitled (2015), Paper pulp, linoleum printed paper, textile, 12 × 14 1/2 in There are 3 professionals named "Elana Herzog", who use LinkedIn to exchange information, ideas, and opportunities. W(e)ave featured lacy white bedspread fragments embedded on custom-built walls; Nancy Princethal wrote that the ghostly floral fragments suggested faded memories of the one-time 18th-century residence's eroded decorative motifs. Whether they are unique works on paper made out of pulp and fabric, or single-wall panels, or whole rooms, Herzog's output is honest, transformative, colorful, tactile, fun, serious, and inviting. [46][50], For two international exhibitions, Scale Shifts; Vision Adjusts (2016, Sharjah Museum, UAE) and "Material Migrations" (2017, Artisterium 10, Tbilisi, Georgia), Herzog collected carpets from New York and each show's locale, from which she created largely horizontal works that reference the global movement of culture and allude to (and upend) the Modernist grid and aesthetic. Auction Records (1) Overview . Elana Herzog lives and works in New York City. Find the latest shows, biography, and artworks for sale by Elana Herzog Canadian-American. "[36][25][11], Art in America critic Nancy Princethal, however, relates Herzog more to postminimalists, such as Mary Kelly and Richard Tuttle—for her focus on formal-spatial properties and exploration of the limits of the acceptable in art—than to contemporary artists engaging domestic materials in debates over "women's art" (e.g., Untitled I, 1996)[26] For the installation The Carpet Paradigm (1998, Wesleyan University), Herzog strewed thousands of square feet of diverse carpet remnants throughout an architecturally altered exhibition space; writers compared the layered formal effects to color field painting and the abstract landscapes of Richard Diebenkorn, while noting allusions to the obsolescence of design and the discard of cultural products in the work's appearing and disappearing patterns. This page will put a light upon the Anna-Elena Herzog bio, wiki, age, birthday, family details, affairs, boyfriend, controversies, … She is a recipient of a 2017 Guggenheim Foundation Fellowship. by Elena Goukassian October 26, 2017 March 17, 2018 A new ballet in Brooklyn invited artist Elana Herzog to work in the theater for the first time, and the multifaceted work premiers this week. Elana Herzog lives and works in New York City. people phone "[47] In Valence (2014, The Boiler), Herzog created two overlapping, 17' x 24' surfaces of tattered fabric, staples and paint inspired by the Bauhaus textiles of Anni Albers—one supported by steel shelving posts leaning against a massive brick wall and the other mounted directly to the brick. Elena Herzog (née Pisetski; born in 1970) is a Russian-American visual artist and photographer. [18], Herzog was born in 1954 in Toronto, Canada. 2,904 Followers, 2,075 Following, 867 Posts - See Instagram photos and videos from Elana Herzog (@elanaherzog) Join Facebook to connect with Elena Herzog and others you may know. View phone numbers, addresses, public records, background check reports and possible arrest records for Elana Herzog. Seems there's no news about Elana Herzog. She has exhibited nationally and internationally, including at the Broo… [29], Herzog began working in handmade paper after a residency at the Dieu Donné Papermill in Manhattan (2008–9) suggested similarities between paper production and her own processes of deconstruction and reconstitution. [6][7][8][9][10], Herzog's installations blur distinctions between two-and three-dimensional media, eliciting comparisons to late-modernist painting and drawing, yet they also upend that tradition through a subversive, deconstructive process that emphasizes ephemerality and fragility. Elana Herzog is an artist's-artist with a devoted following among practitioners, curators, and independently minded collectors for her singular ability to marry soft materials with obdurate institutional walls, and her sixth sense for finding the beauty and 'voice' within mass-produced fabrics. Einarsdottir, Anna Sigridur. The Artist. "Aggressively Eloquent,", Gschwandtner, Sabrina. [11][37], In 1999, Herzog began embedding found textiles in walls, movable panels and built surfaces using thousands of heavy-gauge metal staples that often re-inscribed selected patterns in the material. Elana Herzog skapar skulpturer och platsspecifika installationer. Elana Herzog is an American installation artist and sculptor based in New York City. (As the title suggests, Herzog, like Freud, finds the Unconscious a compelling cultural signifier.) [45], In two large installations, Herzog explored history as a cycle of resurrection and collapse, and rationality spiraling into entropy. Elana Herzog lives and works in New York City. Herzog recently traveled to Tbilisi, The Republic of Georgia to produce a project for Artisterium 10, an annual exhibition of international artists. Elana Herzog. [33][11], Herzog expanded her themes and formal ambitions in four subsequent installations. [48][49] In 2018, she recreated Valence at the Rubin Foundation's 8th Floor Gallery in a 10'-high version inhabiting a corner in the gallery; writers likened it to intimate, peeling layers of civilization evoking aerial views and underlying structures of urban planning, power relations and global change. Anna-Elena Herzog was born on July 12, 1987 in Germany. "[8][44] For Into The Fray, Herzog mounted sections of stapled textiles on fiberboard on to freestanding metal shelving struts, found wood, and walls throughout the space, rendering armature and art indistinguishable;[1] curator Dan Cameron called the show a poetic, "refreshingly anti-academic" deconstruction of late-modernist painting. [46][14] "SHIFT" (2015, Studio 10) featured 6'–8' amputated tree logs embedded with textile remnants and arranged on tattered Persian rugs that were surrounded by walls punctured with vertical, sutured bits of a sports jacket. [22][23][24][25][26] In the 2000s, she installed stapled-textile works at venues including SculptureCenter, Smack Mellon, Herbert F. Johnson Museum of Art, Aldrich Museum of Contemporary Art, and the Drawing Center;[27][2][19] in 2009, the Daum Museum of Contemporary Art presented a fifteen-year survey of her work. [23][24][11] Her first textile work, Rapunzel (1990), featured a long, knotted piece of sheer fabric that hung below an altered, used wooden table and snaked along the floor;[20] in 1995, The New York Times likened her installation of elastic-ringed fabric pieces at the Islip Art Museum to a chamber colonized by caterpillars and candy-striped cocoons or pajamas gone berserk. Read reviews from world’s largest community for readers. [22] Reviews also identify Herzog's absurdist regard for the functionality and abjectness of the raw materials; The New Yorker described her 1998 P.P.O.W. [56][15] Artforum describes the paper work in a second show, "Compression" (2018, Western Exhibitions), as " intense visual stimulants" whose mix of rigid textures and gestural interplay of fabric and pigmented pulp cleverly blur the categories of drawing and collage.[15]. Elana Herzog is an artist's-artist with a devoted following among practitioners, curators, and independently minded collectors for her singular ability to marry soft materials with obdurate institutional walls, and her sixth sense for finding the beauty and 'voice' within mass-produced fabrics. "Devotion/Destruction: Craft Inheritance," Dorsky Gallery Curatorial Programs, 2016. [47][14] Hyperallergic compared the show's elements to "precisely arranged shreds of viscera and lopped-off limbs" that offered a "witheringly beautiful meditation on the murderous elegance of fate. Join Facebook to connect with Elana Herzog and others you may know. [34][26][35] This work alluded to the body, gender and women's undergarments, nature, cleanliness and privacy. 20w cm) Resources. [18][17] She extended this linear work into the gallery space and its built structures in the shows "The Jewel Thief" (2010, Tang Museum) and Into The Fray (2011, LMAK Projects, solo). Background Checks. View Elana Herzog’s profile on LinkedIn, the world’s largest professional community. [42][11] At the Herbert F. Johnson Museum (2006), she reconfigured that work alongside carpets and art from the museum's own collection to further those themes. Ofta använder hon brukstextil – sängöverkast, draperier eller disktrasor – till sina verk. As I work I am building a language that is formal and abstract, as well as directly evocative of cultural and emotional experience. Nationality. Tenant Screening. Her installations are characterized by a mix of rigorous hard work and playful, context-sensitive experimentation, in which the labor-intensive "making" (literally hundreds of hours of sheet-rock building, pneumatic stapling, ripping, shredding, and un-weaving) is ultimately subsumed into a final product that is so light-on-its-feet that it almost seems to dissolve. [51][32][52] In 2009, she was invited by the publisher Gervais Jaussad to produce an edition of twelve unique artist books pairing her work with poetry by Jerome Rothenberg. She was also awarded the Anonymous Was a Woman Award in 2009, the Louis Comfort Tiffany Award in 2007, the NYFA Individual Artist’s Fellowship in 2007 and 1999, the 2004 Lillian Elliot Award, the 2003 Lambent Fund Fellowship, and the 1999 Joan Mitchell Award. [11][31][32] Her work bears the formal influence—often irreverently—of minimalists Donald Judd and Frank Stella, Eva Hesse, and site-specific conceptualists Robert Smithson and Gordon Matta-Clark, as well more narrative-based sources, such as Freud and Magritte. show as "amusing, sophisticated formal objects whose poise belies their homely origins. [21], After turning to textile-based works in the 1990s, Herzog attracted growing attention with several site-specific installations, group shows at White Columns, Hofstra University and the Brooklyn Museum, and solo exhibitions at Black + Herron, Momenta Art, and P.P.O.W. Buy / Sell. She dangled carpets, new and old, from the balcony above the public's heads, and reduced her own Afghan carpets to bare, spine-like skeletons of staples on the wall shot through with flimsy strands of yarn. Herzog was awarded a Guggenheim Fellowship in 2017 and the Anonymous Was a Woman Award in 2009. Dec 23, 2018 - Explore Astrid Bowlby's board "Elana Herzog", followed by 578 people on Pinterest. She has recently returned from Tbilisi, Georgia where she produced a large project, funded in part by the Foundation for Contemporary Art Emergency Grant, for Artisterium 10, an annual exhibition of international artists. "Elana Herzog: Four Projects for Spaces, 1996 to the Present,", Basha, Regine. 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